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Want to watch 'Forgetting Sarah Marshall' on your TV or mobile device at home? Searching for a streaming service to buy, rent, download, or watch the Nicholas Stoller-directed movie via subscription can be tricky, so we here at Moviefone want to help you out. Below, you'll find a number of top-tier streaming and cable services - including rental, purchase, and subscription options - along with the availability of 'Forgetting Sarah Marshall' on each platform when they are available. Now, before we get into the nitty-gritty of how you can watch 'Forgetting Sarah Marshall' right now, here are some particulars about the Universal Pictures, Apatow Productions romance flick. Released April 17th, 2008, 'Forgetting Sarah Marshall' stars Jason Segel, Kristen Bell, Mila Kunis, Russell Brand The R movie has a runtime of about 1 hr 51 min, and received a user score of 65 (out of 100) on TMDb, which assembled reviews from 2,945 respected users. Curious to know what the movie's about? Here's the plot: "When Sarah Marshall dumps aspiring musician Peter Bretter for rock star Aldous Snow, Peter's world comes crashing down. His best friend suggests that Peter should get away from everything and to fly off to Hawaii to escape all his problems. After arriving in Hawaii and meeting the beautiful Rachel Jansen, Peter is shocked to see not only Aldous Snow in Hawaii, but also Sarah Marshall." 'Forgetting Sarah Marshall' is currently available to rent, purchase, or stream via subscription on Apple iTunes, DIRECTV, Microsoft Store, Redbox, Google Play Movies, Amazon Video, AMC on Demand, Vudu, Spectrum On Demand, and YouTube .
Will Smith discusses the shower scene in an interview on LoveFilm. He says: "It was really important character nakedness--itwasn't gratuitous Hollywood nakedness. The character suffered from apsychological condition called survivor's guilt. One of the symptoms isparanoia--which is why he had the door open, there's no shower curtain.He doesn't wash his hair, because he needs his eyes to be open"(Charity). I would suggest that this cinematic nudity is attached to theelement of physical (and metaphorical) mobility that is missing from thebodily context that Dyer describes in his Paul Robeson study. This is due notonly to the vast reach of the Internet and its highly mobile multi- andcross-media circulation of and commentary on images of black male bodies(technologically and culturally limited in Robeson's era) but because inI, Robot Will Smith moves. This is the one thing that Dyer claims isimpossible for Robeson across any medium in which he appeared. As evidence,Dyer analyzes Robeson's nude portraits, his movie roles, and his stageperformances to show an emblematic immobility in Robeson, "his stillnessa passive, inactive embodiment" that reflected the mode of acceptableblack masculinity in the white culture the actor inhabited (123). Thissocially mandated motionlessness was reflected in what Dyer notes is commonpractice in dominant discourse: to represent oppressed groups as"non-active" (112). Reviewers compared Robeson to a deep-rootedoak, as immobile and magnificent as the Sphinx; an artist told him in 1945,"[Y]ou don't need to pose; just take your clothes off and standthere" (Dyer 121-23). The star's nude photos do not, according toDyer, have the visual potential for "fine, flee, powerful movement"because the subject is not a white man (119). This is especially clear in aphotograph in which Robeson is shot seated, bent forward at the waist,physically immobilized between two monolithic slabs above and below him. Sodespite the American fear (although not the British or European fear,apparently) of the uncontained black male body on-screen, Will Smith is ableto strike nearly the same standing pose as the Paul Robeson photo shown infigure 1 but with a physically kinetic intertextual identity as his star(con)text. (11)
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